norwegian producer thomas urv drops the småskansen ep on his own ploink imprint this april. one of norways leading techno prospects, thomas urv has promoted and played at countless events across the country featuring the likes of jeff mills, juan atkins, derrick may, carl cox, richie hawtin, robert hood and kevin saunderson. when not delivering his three deck performances across scandinavia, spain, france, holland, canada and the uk (for fabric and bestival) the norse producer is firmly focused on ploink and his studio activities. *fuktig sol* leads the ep and is a sinister cut led by a morose hook and syncopated rhythm whilst whirring atmospherics add to a looming tension. the dark undertones continue in *stell/less* although steady kicks construct a vibe better suited towards peak time dancefloor madness. tying up the release *sånn isbre* delivers a frenzy of layered sounds that evolve over the course of a lengthy 16 minutes.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

the first musical scale on apiafo leans towards raw funk with a sound similar to the famous 70s bands, l orchestre poly rythmo de cotonou and el rego. funk, is the skeletal structure of this record, and provided the opportunity for peter to invite his uncle, roger damawuzan - the famous pioneer of the 70s soul scene – on two tracks. their collaboration on *pas contente* is a highlight on this 100% analog album. apiafo was entirely recorded, mixed and mastered with old tapes and vintage instruments.

featuring just two tracks, the entropik ep sees ekoplekz stretching his sound towards breaking point, each track extending well past the ten minute mark, slowly evolving yet with a sustained intensity, strength of purpose and emotional impact that ensures that neither outstays their welcome.

specials : 4x stl locked groove remixes - only second time he has done remixes in his career! and first time in the history of vinyl that original tracks were abstracted into locked groove remixes!
a quest for form which is never static and accompanied by two constants - repetition and reduction. reduction requires repetition in order to make the intangible tangible for man. this repetition also stimulates our perception and helps us find an inner self while illuminating towards the primal thought. another synonym for *intangible* is *not human* - for the most reductive of primal thoughts, sprung from fractal chance, does not deal with human beings but with a formal language that is universal, drawing from the innermost, and only becomes tangible in accidental, fortuitous moments.

mesak, one of the proprietors of skwee, from turku finland with holtiton - his 6 track laton contribution. crafted productions with the classic broken-step, whiney synths & odd stabs known from the upfront-underworld of skwee. but on the 6-cut and very bass heavy plate theres also banging & head-nodding tracks directed towards the sonics of 8-bit chip sound. one of mesaks most quality-compiling releases to date. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. valiant was originally released in 2012, limited and is back on demand

wouter de moor debuts on ovum! with previous eps on heavyweight imprints such as get physical and poker flat, dutch up-and-comer wouter de moors latest release on ovum recordings maintains his strong upward trajectory towards the big leagues

versatile 3 track techno ep on the new valence label all with a knowing nod towards dancefloor hedonism. and is a rolling 909 clanger, while or slips into dubby berlin vibes. not yet takes a moody end-note on an expressive, melodic journey. valance is exploring the depths of the dancefloor without drowning!

limited 2015 repress
gieglings generous prince of denmark presents the new ep under his alias traumprinz, who is quite well known these days for his singular and filthy vision of house music. paradise with a lobotomy expands the labels horizon towards to further individual interpretations of house and techno. for that traumpinz brought three more than diverse tracks straight from home, to reveal a bit more of his royal universe to all the techno-paparazzis.

berlin sequencer thomas pahl aka vertical67 pitches his latest sheaf of sim city nostalgia acid away from the lovers lanes of his last silk sides, soulmates, towards a new nocturnal dome. faded neon, concave rubber basslines, fluorescent synths, and roland rhythm patterns interweave across expanses of spheric interior space – an aura pervades

it has been over 6 years since anton pieete and jeroen liebregts have released any collaborative material under their museum name, but now finally they are back. this 3rd release of the radial records catalogue is the first of a series of eps from the duo. both of these artists have made a transformation towards analog hardware instruments over the years, these tracks are the total sum of putting together their heavy machinery and their minds: the ultimate mixture of dark roughness and funk.

celebrated and mercury-nominated uk duo rae & christian released their first new material for ten years in 2013 on night time stories/late night tales after spending the last decade meditating in a buddhist monastery in swindon. this year the label commissioned a series of remixes from mercury rising and mang dynasty (aka ray mang & bill brewster) take on favourite game featuring rising star of the swindon buddhist circuit jake emlyn. mang dynasty focus on gita langley s backing vocal hooks adding a chorus piano motif and stretch things out into an epic nine minute plus main version aimed squarely at the dancefloor (and afghanistan). jake emlyns more aurally-pleasing melodic parts are utilised towards the end taking things up another level to a happy finish. initial reactions have been so strong it seemed rude not to slip out a 12inch on mangled, home of the hits!

for the 1st time the official remastered reissue of the original 1985 recording. 350 limited copies, under license of expanded music srl italy.
kirlian camera are one of the pioneers of the italian electronic scene. active since 1979 under the name suicide commando, the band changed name in 1980 releasing the first demo-tape dawn and the self-titled mini-album in late 1981. the early records contain a mix of synth pop and new wave/dance songs, while towards the end of the 1980s kirlian cameras music became darker, turning into electro-gothic sound. nearly every release since then has explored different fields, from industrial to ambient and trip-hop.

the super disco edit team have pulled out all the stops on this super un-issued 1979 disco dancer from the stable of world renowned musician stu gardner. here he teams up with the beautiful ms irene cathaway to bring you a unique slice of disco madness. pulling away from too much disco cheese and sleaze mr gardner kills it with some organ work like no other disco ‘12! a 6 minute party jam, with those lovely disco drum breaks towards the end. but hold on, flip it over to get another lovely un-issued feel good track called he can ring my bell, dropping like an emotions out take!. so two previously un-issued tracks, in a 350grm customized disco sleeve, with inner. this is limited once again,with a no repress policy.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno. while carefully handling their respective careers, postponing then their obvious collaboration, möd3rn trio s members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge. the six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. the formula is elaborated freely: each one s adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing detroit s grieving sensibilities as well as last decade s bewildering cacophonies. the potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre s diversity and dynamism. chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label s releases.

todd osborn is back for a second round on jared wilsons 7777 label with some heavyweight cuts made for the club. the ep is a pastiche as only todd can do - looking towards garage, chicago, detroit, the future and the past. the record finishes off with an excellent acid remix from mrsk.

this is the first entry in red axe s shem series on i m a cliché which will see the israeli duo releasing tracks geared towards the dancefloor but always retaining the one-of-a-kind approach that it distills in all its productions

third child is a new project aimed to mix sounds micro-house and house music ..very influenced by the sounds of artists such as:three angles, zavor, sammy dee, cabanne, and many others. ep of 4 tracks including remixes of sonartek producing for kismet records, sono vivo, baile musik, little helpers, get physical music, hypergroove, sonartek are known for and are distinguished by their obsessive research for analogical sounds towards the creation of deep atmospheres.

the extended project *inversion* follows his three track release *sleepwalkers* in 2013 and *timelines* in 2014. om unit was schooled via metalheadz. although he earned his stripes via hip hop as dj 2tall it was breakbeat-hardcore and jungle that shaped his attitude towards electronic music and the ferocious trail blazing of the metalheadz crew was an undoubted inspiration. thus it makes perfect sense that his take on this sound, his contribution to moving this sound forward comes via metalheadz. the sonic nature of the project is rooted in london, chicago and detroit- drums, subs and textures.

havamal inspired briton will flisk takes his filmic approach to music to the streets with his first output on our curious little imprint. with the help of good friend black merlin (george thompson) on synths and drum machines and natasya hodges on cello, this amazingly orchestrated title track (red planet) takes us to different planets and back, even though our money is too short for commercial space travel. nashville, tennessees very own grey people (alex j michalski) works his distortion on a sinister remix (b1) thats leaning towards the more techno side of things. for the b2, will bestowed an amazing bit of roughness upon us.

slow town records has really picked up the pace this year, delivering essential 12- singles from riccio and qx-i, amongst others. here, they round of 2014 with an ep of positively edible deep house from fouk man hans peeman. in typical peeman fashion, there s plenty of soul to the liquid beats and rich chords of -prologue-, while -monologue- is an attractive saunter through classic detroit deep house with the restless energy of a chicago production. mr k-s remixes the title track, delivering a heavily percussive version that sounds like a plea to head towards the dancefloor, pronto. a touch darker and altogether heavier, it offers an excellent alternative to peeman s eyes-wide-shut original.

the third in a row of split releases by the hague based bakk records is answered by mgun (manuel gonzales) and halvtrak. detroit local mgun already proved to be one of the more talented new producers and this time delivers a true trunk full of funk. the laser sword synths whip through the big space of the roomy kicks and the snare hits the nail on the head, a guaranteed floor filler. crossing the atlantic towards finland / helsinki, halvtrak shares a journey into his forming yet already signature sound. a smooth sailing analog track with trippy acid sounds - a perfect fit for both those during peak time as the early morning racers. sleeve and label are screen printed and 50 copies come with additional screen printed artwork by mgun.

born and raised in union city, new jersey, nicuris journey towards djing and producing took hold later than most. moving in circles surrounding exchange place (dj qu & joey anderson, david salazar) helped craft his style of djing & musical influences. influences were many, especially growing up in the early 80s, listening from hip hop to new wave & anything in between.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

what makes the perfect techno environment? the combination of specific elements gravitating towards and apart from one another, colliding and repelling. within the elements series this concept is explored through light and sound, visual imprinting and atmospheres to take the listener on a journey through the elements.

ltd to 300!tokyo wax is a peckham based coterie of creative individuals who draw their influence from varied cross-section of electronic music s heritage. tokyo wax intend to outlet music that both reflects and expands upon their influences spanning across spacious, loose-limbed headphone pieces and tough, floor-focused club tracks. in to inaugurate the project are label heads presence and persona backed up by l.i.e.s and russian torrent versions affiliate ngly who collectively turn in a package bearing flecks of dub, percussion-lead house and tenebrous, left-of-centre electronica. tw001 was funded by a kickstarter campaign with all proceeds from record sales going towards the u.k based addison s disease self help group.

the structure and the essence of this release, focuses on a current argument in which more and more people in this society are found to be the early protagonists, often without even realizing it. the artist wants to tell and convey through his work, a point of view towards this theme. as can be deduced from the title of the ep, the project is to express and represent a war of colors, which fight the monotony of everyday, always flat and dark.

fantastic four track album sampler from jay haze & esb’s forthcoming ‘finding oriya’ album released this november on leftroom. philadelphia-born producer jay haze has carved out quite the career for himself over the past decade, having headed up the successful tuning spork and contexterrior imprints, as well as operating under his fuckpony pseudonym which has seen him unveil material for the likes of get physical, cocoon and bpitch. here we see haze pair up with esb (electric sound broadcast) aka elan benaroch, notably known for his work with canada’s deepen sound, to deliver a long player for the leftroom label. finding oriya is the musical culmination of the journey towards fatherhood for haze, here we see haze & elan explore a variety or ethereal, mind-bending and profound textures to create an intelligent, understated and charming collection. from the electronic beauty of finding oriya, the dropped-tempo nu-disco tinged feel of founded in you, through to the entrancing feel of friday always remembers, ands the mid-tempo magic of cant keep giving in, this eclectic four track sampler is a great introduction to the eagerly anticipated album.

groovin hypnotic tech house / house
limited edition, handstamped, 300 vinyls only. entlet brings up the spirit of the ancient paraguayan tribe enxet. for the past twenty years, we have been delighted to discover shrewdly on the dancefloors his capacity to develop such a bestial jungle and magnificent rituals. he produced this trilogy with cosmic tones in the vein of the other label releases, an appeal to the collective trance and an evocation of the festive traditions that have transcended the past centuries. after countless epic adventures on the drum’n’bass scene, he has performed and produced mainly house and techno tracks. the echoes of his live appearances often reverberate long after the following day. some people say that he has the ability to pay a superhuman attention to the sound. through mystic condor, you will rise towards a joyful and powerful hypnotic state of mind. the feathered serpent will delicately bring you in an extraordinary journey. tramontina is a groovy and spatial evocation, an atmosphere deserving mr. fritz lang s movie. all the sounds progress constantly towards the highest level, like the sun. night new world is the most chill-out piece of this release, everything stretches and calms down, but never forget the whip lash.

2014 has been a slow year for sequencias in terms of releases. most of our energy has been spent towards the development of different projects, like our new webstore, that has become an outlet for us to share some of the records that influence the way we do things. so, with the wax offering slowing to a mere trickle, who better to entrust with our sole release for the rest of the calendar year? dcantu, of course. cantus electro-heavy sound is fleshed out here and while still lean enough for dance floors, it makes bolder moves into atmospheric and melodic territory.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

this is a very proud moment for me. when i started 2000black i wanted to release music that was of today respecting the past and looking towards the future. timeless sounds regardless of genre or tempo. *fresh fromage* is that track - dego
already played by radio 1s benji b and soundsignatures theo parrish.

emotional rescue takes a look towards the dancefloor sounds of britain underground 80s electronic synth-pop scene for their next release. from dallas infamous ecstacy fueled starck club to the le palace in paris, it was such music that while not gaining wider pop recognition, become classics of their time and the secret finds for today s djs.

moscoman – dark horse ep – i m a cliche. after an lp by red axes and an ep by bot ox earlier this year, im a cliche is back in the saddle with a new look and a new feel while keeping the same great sound. two eps including this one are going to be released on both digital and vinyl formats this fall, leading up to very special 10th anniversary celebrations in paris towards the end of the year.

following on from his releases pain & love & feelings within eps t returns with his latest offering – shake that. this is ts 3rd ep to be released on pmr records & leans more towards the dance floor. no featured vocalists on this one just straight bangers.

as we hurtle towards our 200th freerange release the quality output youve come to expect from freerange shows no sign of faltering with bas amro bringing you an absolutely stellar ep entitled you and me

what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night’s unmade sheets. appropriately, tin man’s melancholic dance music is more club-ready than ever.
the double 12 inch lp comes in gatefold sleeve with download code included.

this is lbnhrxs fourth release, and his second on thin consolation, following his debut ep tales from the moustache released in 2012. progressively shifting towards a purely hardware approach to composing and performing, and still as recluse and vowelaphobic, lbnhrxs sound has matured and acquired that pungent cheesy odour that we all crave so much. ntrprttn is the fruit of his reflection on the topic of interpretation, and is graced with complementary remixes by cupp cave and lawrence le doux

up next on k klassik and 3rd outta the gate on wax is a 4 track banger from label honcho, and highly respected house & techno legend, chicago producer k alexi shelby shifting through genres at speed, and refusing to be pigeon holed or pushed towards a specific sound, this is a killer ep from the big man! as with the previous 2 k klassik vinyls, this is a limited colored edition pressing once theyre gone, theyre gone

talismann dominates the assault with its fourth release, marching towards imminent victory. haunting soundscapes coming from the filthiest trenches, sudden rhythmic strikes with such brutal force that it will leave the auditory senses shell shocked..

jammhot are a leeds and london-based production and dj partnership consisting of matt mason, jamie adams and akara etteh. having each separately pursued their own musical ventures, the three friends decided to draw on their differing backgrounds and influences to create their own heady blend of house that is rich in musicality and sense of adventure, yet aimed squarely towards the dancefloor.

after his successful mothership ep debut release in early 2012, santes oespotlight ep brings about a slightly new style from the berlin based dj, with spotlight taking on a definite shift towards the house and tech-house end of the music spectrum.

new vinyl only label out of london. leaning towards dub & experimental electronic music. debut release comes from montreal based, archipel & climat label boss, pheek.

universal cave featuring edits of forward, deep & free music for maximum summertime spins. soft rock for hard times, slow grooves for mellow moods and chainsaw euro funk brought to you by disco duos d. lord & werner williams, jaz & party dad, and universal cave. pressed on limited 7 inch vinyl.
*around the bend* is soft rock for hard times brought to you by universal cave. bongos high in the mix, a breezy beginning builds towards guitar glistening over a mega kind groove. a tune fit for hang gliders, rock climbers, and summer sundays. sunsets and sailboats. slow grooves for mellow moods. side bs *riding* is flipside meets ripside, no nonsense shredding over a driving drum beat. long haired beardo disco rock that never quits.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

as headman gears up to release his sixth album it appears he is having something of an identity crisis... is he headman? or is he, as his mother named him, robi insinna? either way, he is one of disco s most daring of producers and, monikers aside, anything he releases is well worth your attention. especially this first sampler from the album 6. a collaborative affair, each track sees him teaming up with kindred spirits and friends to forge new groove paths and re-position old references. -work- takes a kraftwerkian recipe and stretches it like a well made pizza dough, -barbarism- dusts off the cosmic guitars for an enlightened star-gazing session, -der- sits happily between black strobe and jeff wayne while -sleep red- cruises towards dfa city limits in a cowbell escalade. each one of them will have you hankering for the album. guaranteed.

its safe to say that without vito & druzzi, we wouldn’t be here today. indeed, along with the other members of the rapture (ever heard of them?) and james friedman, they founded throne of blood. our histories go hand in hand. after releasing classic albums on labels like sub pop, dfa, vertigo, and motown- and spending more than a decade touring the world with lcd soundystem, soulwax, the cure, interpol, and franz ferdinand to name a few- vito & druzzi have spent the last few years shifting their focus towards djing and production, building a studio in brooklyn and churning out the jams. its been a labor a love and were very happy to present you with the first fruits of their collaboration

sold out -deleted - comprised of dego, kaidi tatham and bembe segue, the soulful sound of london s progressive musical brain center, this trio guides us towards a new dimension for modern soul music. their distinctive london-esque flair - a touch of melancholy in tone, contemplative yet hopeful lyrics, has enough groove to make every brain cell vibe. deborah jordan provides lead vocals. jordan is best known for her work with london-based avant garde jazz band, panacea. we trust you ll find the entire journey worth staying.